Ad Production, On Demand
An AI Commercial Generator for
Broadcast‑Quality Spots,
Made in an Afternoon.
Write the offer, attach your product shots, and Project Director cuts the commercial: hook, product scenes, voiceover, end card. One finished spot per run at the length and aspect you choose — 16:9 for local TV or vertical for paid social — with revisions billed in credits instead of a production retainer.
Model Options
Choose the workflow that fits your scene
Start with a prompt, add references when needed, and pick the generation path that matches the output.
Seedance 2.0 for the hero-product frame
The three seconds that sell a commercial are usually one beautiful shot: the product turning under light, steam rising, condensation on the glass. Seedance 2.0 carries that frame with high-shine motion and controlled composition, while the playbook keeps your logo and packaging locked across every take of it.
Wan 3.0 for real-world scenes
Spots sell on context: a shopper grabbing the bag, a family crowding around the new sofa, a storefront at opening time. Wan 3.0 handles people-and-place motion with real weight, so your store scenes read as filmed rather than rendered.
LTX 2.5 for pitch drafts
Before a client signs off on a commercial, they sign off on a feeling. Draft the hook and the end card on LTX 2.5 at a fraction of the premium render cost, collect the note, then re-cut the winner on the hero engine. Failed renders refund automatically.
Seedance 2.5 for the full-length spot
When the hook needs a full beat to land, do not stitch short clips and pray over the seams: Seedance 2.5 renders up to 30 seconds in one continuous pass, with synchronized dialogue, ambience, and score coming out of the same generation. Its reference kit carries your product and brand through the whole take.
Example Outputs
Spots shot on Moosky's cinematic engines
Hero product shots and real-world scenes from live brief-driven runs — one credit balance, no production crew.
Why use it on Moosky AI
A commissioned look, not a generated clip
Everything a spot needs — structure, brand lock, voiceover, and end card — in one brief-driven workspace, so the finished file looks bought, not bolted together.
Written like a real spot
The playbook scripts the arc buyers recognize — hook, product proof, offer, end card — before a single frame renders.
Brand assets stay locked
Attach the logo, packaging, and product photos once; every scene renders against the same locked references.
One spot, your length and aspect
Pick the runtime at brief — 30 seconds is the default — and the aspect the placement expects. Need the same spot in another format? Re-run the brief; each finished cut is billed separately.
Voiceover and music in the pass
Add the announcer read and a music bed in the same workspace; the announcer read sits ducked under the music bed in the same pass.
Weekend-sale turnaround
Brief in the morning, rough cut by afternoon. When the sale extends, re-cut the end card in minutes instead of re-shooting.
Built for agency desks
Run one workspace per client on the same credit balance; share review cuts without seats or licensing tiers.
How It Works
Three steps from brief to broadcast-ready spot
Brief the spot
Describe the product, the offer, and where it will run. Attach the logo and product or storefront photos.
Approve the plan
The agent proposes the script and shot list; you approve every scene in chat before anything renders.
Export the spot
Download the finished commercial, revise in place, and pay credits only for the work that ran.
How a furniture store could put a weekend sale on local TV
Picture a family furniture retailer with a weekend sale to fill and a production house quoting thousands for a short local-TV spot — with two weeks of lead time the sale does not have.
Attach phone photos of the showroom floor and the price tags to Project Director's product-ad playbook: it writes the hook, plans six scenes around the hero sofa, keeps the logo locked, and cuts a 30-second master with an end card naming the sale.
The spot posts to the store's social feeds the same week: they ran the same brief a second time in vertical for paid social, billed as its own pass — and re-cut the end card twice when the sale ran long, each revision billed in credits.
Credit-based
Simple, honest pricing
A commercial is billed in credits per scene and per pass, quoted on screen before anything renders, at 100 credits per dollar. Draft passes cost a fraction of the premium renders, failed generations refund automatically, and unused credits never expire between campaigns.
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Frequently Asked Questions
What is an AI commercial generator?
A workflow that turns a brief — the product, the offer, where the ad will run — into a finished commercial: scripted beats, a planned shot list, generated scenes, voiceover, and an assembled export. On Moosky that workflow is Project Director running the product-ad playbook: you approve the script and scenes in chat, the agent renders them, and everything assembles in one workspace.
Can it really make a 30-second TV commercial?
Yes — each run delivers one finished spot at the length you set (30 seconds is the playbook default) in one chosen aspect. The 16:9 export carries the hook-and-offer structure local stations and cable buys expect; vertical and square are separate runs of the same brief. Individual broadcast plants ask for their own delivery specs like codecs and title-safe areas, so request the station's format sheet and export the master to match it.
What does it cost versus hiring a production company?
A production day for a local spot runs into thousands once crew, location, and editing add up. Here you buy credits at 100 to the dollar, the exact cost of the scene list is quoted before the run, and a typical short multi-scene commercial lands in the tens of dollars. Failed generations refund, and there is no retainer between campaigns.
Do I need to film anything myself?
No camera crew and no shoot day. Real assets do help: product photos, your logo, packaging shots, or storefront pictures anchor the renders so the thing you sell is the thing on screen. Clean phone shots are enough to start — the agent treats them as locked references across every scene.
Can an agency make client commercials with this?
Yes. Work you generate is cleared for commercial use under Moosky and the selected model-provider terms, and exports carry no watermark. Run one workspace per client on a single credit balance, share exports for review, and revise between media flights without per-seat licensing.
How fast can a commercial be ready?
A brief handed in the morning can rough out by afternoon, because the bottleneck is your approval on the script and the render queue rather than a shoot calendar. That is what makes time-boxed spots practical: a weekend sale, a seasonal push, or an event teaser can have its end card re-cut the same day.
Is this the same page as product ads or UGC ads?
Same platform, different starting question. The product-ads page covers the tooling for a single product spot, and the UGC-ads page covers the creator-style, filmed-on-a-phone format. This page serves buyers who simply need a commercial made for a business or client, and walks the full ad-production path from brief to broadcast-ready delivery.
Disclosure
Moosky AI is an independent platform provider and reseller of AI model access. Product names, model names, and company names shown on this page belong to their respective owners. Moosky AI is not officially affiliated with, sponsored by, or endorsed by those providers unless expressly stated. Page content, examples, and previews may include AI-assisted and synthetic content.