Change Face in Video.
Keep the Shot.
Recast the Talent.

You give the model two things: the consented face reference and the original shot's direction — its storyboard, blocking, wardrobe notes, and camera move. A reference-to-video engine then re-renders the scene conditioned on that photo, so the identity changes while everything you approved around it stays intact. It is a recast, not an edit: the physics, lighting, and motion come from the model, not a masking tool.

Yes — for your own content that's the everyday case: creators recast themselves into previz shots, brand spots, and pickups they can't re-stage. Upload a clear front-facing photo of yourself under even light, describe the scene, and the engine performs it with your identity locked. One photo of you, a few credits per take, no studio booking.

Use your own face, or one you hold explicit permission to use — contracted talent, a client who signed off, a collaborator who said yes. Deceptive or non-consensual use is against Moosky's terms and most model providers', and it's also the fastest way to lose a brand deal. When a recast is for a pitch or previz, label it as such; the frame is generated, and the deliverable should say so.

The reference photo does most of the work: one clear, front-facing shot in even light, no sunglasses, hair off the key features, and a face filling a good share of the frame. A second photo at a slight angle helps the engine hold the profile in turns. If a take drifts off-model, you retake it — the reference stays locked and only the render reruns.

Billing is per render, quoted on screen before anything runs, at 100 credits per dollar. A draft pass on LTX 2.5 costs a fraction of the cinematic engines, so casting comparisons stay cheap until you pick a keeper for the hero pass. Failed generations refund automatically, and unused credits never expire between projects.

No. Both cinematic engines render dialogue and ambience in the same pass, so the recast arrives with synced sound rather than a silent clip you then have to fix. If the scene needs narration, clone one voice on CosyVoice and reuse it across takes from the same credit balance — the re-shot cut, its audio, and export all happen inside Moosky.

Yes. The scene prompt and references live in your project, so swapping in a different photo re-runs the same direction on a new identity — useful when a client wants to see two faces or a role recasts mid-campaign. Each casting costs only draft-pass credits until you hero-pass the keeper, and every run stays in your history to compare or re-export.

Work you generate is cleared for commercial distribution under Moosky and the selected provider's terms, exports carry no watermark, and you keep the IP on the finished scene. Keep your records — the consent basis for the reference and the run you published from — the same way you'd keep a model release for any shoot.