Music videos for artists who already have the song
Music videos cut to your track.
Upload the finished master. Project Director reads the song as the clock, maps every scene to an intro, verse, chorus, or bridge, and cuts visuals that land exactly where the music changes. No mic booth, no timeline scrubbing, no licensing hunt.
AI Project Director
Maps scenes to your track
Track-first timing
Cuts land on the change
Your audio untouched
Unity gain, no ducking
Performance and b-roll
Motion or held stills
Platform-ready exports
Wide and vertical cuts
Model Overview
Music Video Director playbook
A music video is backwards from everything else you make here. In a product ad or an explainer, the picture leads and the audio is fitted to it. Here the song is already finished, it is yours, and the whole edit has to serve it.
Open the music-video playbookYour master is the audio authority
Upload the finished song. Its real length sets the video length, its gain sets the mix, and nothing replaces it - no generated music, no re-sung vocal, no ducking under the edit.
Structure follows the song
The agent divides your track into sections and maps each to scenes, so a cut lands on the change into the chorus and the outro closes as the last note decays.
Motion and stills, scene by scene
Quick performance cuts under the hook, one held cinematic image under a long bridge - the pacing follows the arrangement, not a fixed clip length.
Re-take a shot, keep the song
Because the audio is locked before anything renders, a fix replaces a single scene while the track, the timing, and every other shot stay untouched.
The details
The Music Video Director playbook treats your uploaded master as the clock. Its probed length sets the runtime, your recording sits at full level in the center of the mix, and every scene's own audio is muted underneath. The agent reads the song the way an editor would — intro, verse, chorus, bridge, outro — and proposes one scene per section before a single credit is spent.
Because the audio is locked before anything renders, fixing a shot never moves the edit: re-take one scene while the track, the timing, and every other cut stay exactly where they were.
Music video workflow
From a finished master to a cut video.
Project Director is a chat-driven production workspace. Upload the track, describe the world you want, approve the section map, and the agent generates each scene to the music and assembles the video.
Why artists cut videos this way
Everything a music video needs to feel made-for-the-song: your master locked as the clock, visuals timed to sections, and fixes that never touch the audio.
Built around the song you already made
Start from your master instead of a blank prompt. The playbook treats your recording as finished and edits picture to it, the way a real music-video cut does.
The duration is your track, not a guess
The video runs exactly as long as your probed audio, padded or trimmed only at the very last frame, so nothing is cut short or stretched to fit.
Cuts that hit the hook
Scenes are timed to song sections, so the chorus arrives on a visual change and the bridge can hold one image while the music does its work.
Performance where you want it
Ask for lip-synced performance moments on the lyric lines that need them and abstract footage everywhere else, all described in the brief.
Any visual world
Narrative band video, pure light and texture for an electronic track, or a lyric concept film - the style comes from your brief, not a template.
One-scene fixes
A shot that drifted gets re-taken on its own. The locked song means timing and the rest of the edit never move when you fix a scene.
Priced by scene, not by shoot day
No crew, no location fee, no day rate. Credits are spent when a scene generates - and you can run a video for a track you could never have funded as a shoot.
Release-ready output
Exports carry no watermark and are usable for release and promotion under Moosky and the selected model-provider terms - your song, your video, your channel.
How it works
From your master to a finished music video in four steps
Upload the song, describe the world, approve the section map, and let Project Director cut every scene to your track.
1. Upload your master
Drop in the finished track. The agent probes its real length and locks it as both the runtime and the audio of the video.
2. Describe the world
Tell the Director the style - a narrative band performance, a lyric concept, pure light and texture - and where you want faces and where you want none.
3. Approve the section map
The playbook divides your song into sections and proposes a scene for each. Edit the plan in chat before a single credit goes to a render.
4. Cut to the track
It generates every scene against your references, mutes scene audio under your master, and exports a finished video the length of your song.
Credit-based
Simple, honest pricing
A typical music video costs what its scenes cost - roughly $20 to $60 in credits for a three-to-four minute track depending on scene count and re-takes, since your audio is already made and never billed. You only spend when the agent plans or a scene generates. No subscription, no shoot budget: top up anytime.
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Frequently Asked Questions
Can I make a music video from my own already-released song?
Yes - that is exactly what this playbook is for. Upload the finished master and it becomes the audio and timing authority for the video. Nothing about your recording is changed, re-sung, or replaced with generated music.
Do I upload the audio or does Moosky make the music?
You upload the audio. Moosky also has a separate AI-music generator for people who want an original instrumental, but the Music Video Director assumes the song already exists and is the most important element; it edits picture to your track rather than inventing sound for you.
How does it decide where the cuts go?
The agent reads your song's structure - intro, verse, chorus, bridge, outro - and maps scenes to those sections, so an edit lands where the music changes. The video's length always equals the real, probed duration of your track, never a round number.
Will my audio be mixed, compressed, or ducked under the video?
No. Your master is mixed at unity gain (full level) as the center of the mix. Each generated scene carries no usable audio; any sound inside a clip is muted underneath your track, so nothing competes with your song.
Can I include real performance or lip-sync footage?
You can ask the Director for on-camera performance and lip-sync moments on the lyric lines that need them, and abstract b-roll everywhere else. It is optional, not the default - describe in the brief how much of the video should feature a person versus pure visuals.
I want a lyric video, not a full concept film. Is that supported?
The playbook builds any visual world from your brief - narrative performance, an abstract light-and-texture piece, or a concept film against the lyrics. If you want a specific look, say so in the brief and the agent styles the scenes to match your song's mood.
What if one scene is wrong - do I have to redo the whole video?
No. The audio is locked before any frame renders, so a re-take replaces a single scene while the song, the timing, and every other shot stay exactly where they were. You spend credits only for that one run.
Can I use the finished video to release the track?
Yes. Exports carry no watermark and are usable for release and promotion under Moosky and the selected model-provider terms. The song is yours; the video is cut to it and ready for your channel and the platforms.